Episode 02: Who Owns Music in the Age of AI?
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When a song becomes part of culture, who actually owns it?
This week on The Artist Economy, Michael Walker, Chris Saunders, Sol Gold, and Jared Christianson explore how music, culture, AI, ownership, and technology are reshaping the economics of being an artist. We look at the resurgence of Oasis' "Wonderwall" and what it teaches us about creating cultural moments, before diving into the growing debate around AI music, training data, ownership, and artist compensation. For independent artists, the bigger takeaway is to build direct relationships with fans, understand where their value comes from, and create a career that isn't entirely dependent on someone else's platform.
Along the way, we ask bigger questions:
Can artists intentionally create cultural moments, and when does a song become part of culture?
What does AI owe the artists whose work helps train its models, and where is the line between influence and theft?
Should artists own their audience data and digital relationships instead of renting access through platforms?
In this episode, we explore how songs become cultural moments, using "Wonderwall" as a case study, before diving into the growing debate around AI, music ownership, training data, and artist compensation. We also unpack why artists should focus on owning their fan relationships, building digital sovereignty, and creating diversified revenue streams.
Key Takeaways
Platforms, algorithms, and AI will continue to change how music is created, discovered, and monetized.
The most durable asset is the relationship between an artist and their audience.
Build an audience—and create direct ways to reach them.
Create meaningful moments, not just content, and understand your rights beyond your streams.
Wherever possible, own the relationship with your fans instead of renting it from a platform.
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